Voiceover Voice:
The widow, the orphan, the stranger— these are the traditional most vulnerable members of the community.
Helena Martin:
This is Chapter, Verse, and Season: a lectionary podcast from Yale Bible Study. Join us each week as two Yale Divinity School professors look at an upcoming text from the Revised Common Lectionary.
This episode, we have Joel Baden, Professor of Hebrew Bible and Director of the Center for Continuing Education, and Harry Attridge, Sterling Professor of Divinity. They’re discussing Ruth 3:1-5; 4:13-17, which is appointed for Track 1 of the Twenty-Fifth Sunday after Pentecost, Proper 27, in Year B. Here’s the text.
[Ruth 3:1-5; 4:13-17]
Naomi her mother-in-law said to her, “My daughter, I need to seek some security for you, so that it may be well with you. Now here is our kinsman Boaz, with whose young women you have been working. See, he is winnowing barley tonight at the threshing floor. Now wash and anoint yourself, and put on your best clothes and go down to the threshing floor, but do not make yourself known to the man until he has finished eating and drinking. When he lies down, observe the place where he lies; then go and uncover his feet and lie down, and he will tell you what to do.” She said to her, “All that you say I will do.”
So Boaz took Ruth, and she became his wife. When they came together, the Lord made her conceive, and she bore a son. Then the women said to Naomi, “Blessed be the Lord, who has not left you this day without next-of-kin, and may his name be renowned in Israel! He shall be to you a restorer of life and a nourisher of your old age, for your daughter-in-law who loves you, who is more to you than seven sons, has borne him.” Then Naomi took the child and laid him in her bosom and became his nurse. The women of the neighborhood gave him a name, saying, “A son has been born to Naomi.” They named him Obed; he became the father of Jesse, the father of David.
Harry Attridge:
So, Joel, we’re talking today about this really interesting story about Ruth, the ancestor of the Davidic line. A Moabite, someone who was not originally of the Israelite tradition and how she gets to be in the position of being an ancestor of David. And, it starts out with Ruth and her mother-in-law having a conversation about how she should engage her potential relative and eventual husband, Boaz. What’s going on with this little…
Joel Baden:
Yeah, so, the first thing to realize is Naomi and Ruth are both widows. And as such, they are in an incredibly vulnerable position. And that’s true for Naomi, who is an Israelite, but it’s especially true for Ruth, who is a Moabite. She is now in Israel, essentially without any support other than Naomi. And I think that’s really the motivating factor here, is we have to remember that, you know, you can think back to especially texts like Deuteronomy where the widow, the orphan, the stranger, these are the like, traditional most vulnerable members of the community. And here is a widow and a stranger, so she’s two out of three vulnerable categories. And so, Naomi says to her, look, I need to find some security for you. I need to find some way to make sure that you’re going to be okay, because a widow and a stranger can’t be relying on another widow for social support. So, where are we going to find this? And the answer is there’s a system in place for this, and I think Naomi knows it and Ruth probably doesn’t quite. But we the readers, I think, are also supposed to know it. Which is to say, there’s a system of what we know as leveret marriage. That is the notion that, if a man dies and has no sons then his closest kinsman, usually his brother, but his closest kinsman is supposed to marry his widow so as to continue the family line and so as to preserve the land that belongs within the clan. Now, Naomi clearly knows this, right? Because Naomi says, here is our kinsman, Boaz. And the key here is Naomi wants Ruth to ingratiate herself, I think, with Boaz, her kinsman, so that he is inclined, as it turns out he will be, to do this leveret-style marriage. That is to marry his kinsman’s widow out of a sense of sort of tribal obligation.
Harry Attridge:
And Ruth has already been sort of in touch with Boaz, right? She’s been gleaning in his fields.
Joel Baden:
Yes. Which is hard for me not to take euphemistically, but she’s been out in his fields working and she comes across him by chance. But he seems very nice, and he lets he glean. Which is to say, he’s also doing her exactly the service that in Deuteronomy you’re commanded to do for widows, right? Almost word for word. You are supposed to not harvest your crop all the way. You have to leave the gleanings for the widow, the orphan, the stranger. And that’s exactly what he’s done.
Harry Attridge:
Yeah. Okay. So, Ruth has had some contact with Boaz. Boaz looks like he’s a good guy and a Torah observant. And then Naomi tells Ruth to go and find where he’s sleeping and lie down at his feet. What’s going on with this?
Joel Baden:
I’ll try and be as euphemistic as the text is. Maybe not. This is one of these texts, I will admit, that sometimes people say things like, look at how like delicately the Bible dances around issues of sex, because this almost certainly, “go and uncover his feet” is almost certainly a euphemism for sex. Feet is a standard euphemism for male genitalia. So, this does seem to be something of a seduction scene. I will say, as I was saying, people say like, oh, it’s so careful. It’s actually very hard to know at a distance what was like really euphemism and what was just like the standard way of saying…this could be incredibly raunchy in the original. This could be as sort of straightforward as anything you can imagine. It’s just euphemistic to us because it says “feet.” That just may have been, might’ve been the word that they used. In any case, I think this pretty direct. This is at the very least the anticipation of a seduction scene, if not in fact a sort of a full out sex scene in the Bible. I think it’s probably the closest thing that we’ve got. It’s like between this and the Yael Sisera moment in Judges, which I think is also pretty direct.
Harry Attridge:
So, in any case, it works, right?
Joel Baden:
It sure does. Yeah, I mean exactly as it’s intended to. Although, you know, in the next few verses that are outside of the reading proper, “she came stealthily and uncovered his feet and laid down. And at midnight the man was startled and turned over and there lying at his feet was a woman.” So, she has surprised him, but it is certainly effective. He says, you know, may you be blessed. He calls her my daughter. Which may simply be, sounds maybe like a little bit weird, but I think it’s mostly just kinship language. But of course, you know, what happens in between the two halves of our reading here is this sort of funny moment of Boaz, again, being, as you said, incredibly observant. Naomi and Ruth are playing like a very sort of tactical, like, real politic kind of game. They’re like, look, you just need to get with this guy. This is how you’re going to be secure. And Boaz is like so strict in his observance that even with this woman lying, quote, at his feet, he’s like, I want to be clear, there is somebody else who has first dibs. There is a closer kinsman than I. So, they have to go through this whole process of the other person saying like, nah, I’ll pass. And then Boaz and Ruth finally do get together. And, as you said, at the end of it, the payoff of the whole story is they have a child. And there’s a sense in which that’s the setup from the get go. The beginning of the entire book is, here’s this woman, Ruth, and the other woman who doesn’t stay with her, Orpah, and they’re both widowed without kids. It’s almost like, it’s a very long story of how does a widow, even a non-Israelite widow, go about having children that belong to the Israelite community.
Harry Attridge:
Is there any point that the story is making by having Ruth be a Moabite and still an ancestor of David? What’s going on with that?
Joel Baden:
This feels to me, at least, like it is a text that’s participating in an ongoing debate in probably relatively late ancient Israel. If we think about texts like, especially, famously Ezra and Nehemiah that are so very concerned with what we call endogamous marriage, marriage only within the community. In fact, to the point that women and wives who are from outside the community are supposed to be rejected and set aside. So, there’s a strain of ancient Israelite thought that is very much concerned with the purity of the people, of the line. And here’s a text which I think is saying, nah. I think it’s a text from that same period, but by retrojecting this story back into like the time of the Judges, which is why in the Christian Bible, the book of Ruth comes after the book of Judges because the first line is like, it happened in the time of the Judges. By putting this all the way back there, they’re saying, look, this has been a part of who we are forever. David, our greatest king, our greatest ruler, our, you know, already at this point I think, proto messianic figure, himself comes from an outsider. Which isn’t so odd. I mean, you know better than I, but I think about sort of the genealogy of Jesus and there’s a whole bunch of women in there especially who seem to sort of come out of left field. So, I think, I think this is part of some of that same discourse that it’s not about sort of purity of lineage. It’s important that Ruth is, Ruth’s character is strong, right? She’s dedicated. She’s dedicated to her husband’s memory, despite the fact that she could have gone back to Moab and married there. She wants to be part of the family. She wants to follow Naomi. She wants to be part of Boaz’s line. And Boaz is, you know, couldn’t be better for his part.
Harry Attridge:
So, taking care of widows is an important thing to do.
Joel Baden:
I would say.
Harry Attridge:
Wherever they come from?
Joe Baden:
For sure.
Helena Martin:
Thanks for listening. Please check out YaleBibleStudy.org for events, study guides, videos, and plenty of other resources, including a transcript for this episode.
Chapter, Verse, and Season is a production of the Center for Continuing Education at Yale Divinity School. It’s produced by: Creator and Managing Editor, Joel Baden; Production Manager, Kelly Morrissey; Associate Producer, Aidan Stoddart; and I’m your Host and Executive Producer, Helena Martin. And our theme music is by Calvin Linderman.
We’ll be back with another conversation from Chapter, Verse, and Season.